HUSKER DU - TONITE (RSD23) (25% OFF)

Side A - July 6. 1979 20:56

1 Insects Rule The World (Hart) (BMG Bumblebee BMI)
2 I’m Not Interested (Hart) (BMG Bumblebee BMI)
3 Sex Dolls (Hart) (BMG Bumblebee BMI)
4 Can’t See You Anymore (Mould) (Granary Music BMI)
5 Sexual Economics (Mould) (Granary Music BMI)
6 Do You Remember? (Mould) (Granary Music BMI)
7 Nuclear Nightmare (Hart/Mould/Norton) (BMG Bumblebee BMI) (Granary Music BMI) (Husker Music BMI)

1 All Tensed Up (Mould) (Granary Music BMI)
2 Strange Week (Hart) (BMG Bumblebee BMI)
3 Don’t Try To Call (Mould) (Granary Music BMI)
4 Industrial Grocery Store (Mould) (Granary Music BMI)
5 Do The Bee (Hart) (BMG Bumblebee BMI)
6 Do You Remember? (Mould) (Granary Music BMI)
7 Ode To Bode (Norton) (Husker Music BMI)
8 Don’t Have A Life (Norton) (Husker Music BMI)

1 All I’ve Got To Lose (Mould) (Granary Music BMI)
2 Don’t Try It (Mould) (Granary Music BMI)
3 Writer’s Cramp (Mould) (Granary Music BMI)
4 Gilligan’s Island (Hart) (BMG Bumblebee BMI)
5 What Went Wrong? (Mould) (Granary Music BMI)
6 Uncle Ron (Norton) (Husker Music BMI)
7 MTC (Norton) (Husker Music BMI)
8 Drug Party (Hart) (BMG Bumblebee BMI)

1 Chinese Rock (Meyers, Colvin) (Dilapidated Music DoraFlo Music, Quick Fix Music BMI)
2 Termination (Norton) (Husker Music BMI)
3 Call On Me (Mould) (Granary Music BMI)
4 Gravity (Mould) (Granary Music BMI)
5 Statues (Hart) (BMG Bumblebee BMI)

A 2xLP set of rare, early Hüsker Dü live recordings, featuring original flyers and artwork. Drawn from the historical Hüsker Dü recording archives compiled by Terry Katzman, this double disc live set is an essential companion piece to the band's Savage Young Du Box Set. While the SYD release principally featured studio demos, the 28 tracks presented here are the aural and enchanting equivalent of a time machine that vividly thrusts the listener straight back to Husker Du's embryonic unsheathing on stage.

Side A dates to July 1979. Side B gives us a full year's evolution to July 1980, while Sides C and D land the listener in September 1980. Perhaps 120 people in total saw these three Longhorn performances. Until now, a handful at most have heard the playbacks. So, rare and fresh, it's all here: the songs, the driven performances, the small club intimacy of being in front of select friends, fans, and peers, with one fair shot at getting it right. These four sides compellingly document that you can't doubt that they did.